Rose Wylie
Rose Wylie
Joan Jonas
Jean Dubuffet
understanding art : talking about Jean debuffet
childish drawing into paint. fast. rushed. quick. texture. full of thought. although seems like no thought. has the most thought.eyes have a lot of tension. tell a lot. i think they are angry eyes. suit . very smart. in contrast to the freeness of the style. the suit is stiff and controlled. hair is come back . hair would feel crispy.
no colour. black and white. carving into the white to show the black through.
never see the feet . Jean Dubuffet bad at drawing feet? really good at drawing feet?. has no shoes. has shoes. background is very textured. and rough. always standing straight. never posed. always figures. not realistic. but not like a cartoon. like a real person looks not like a real person.
little bit of green in the background. not completely black.
picture of Maggi Hambling
picture of Maggi Hambling
was on the corner of a book. badly printed. wrapped around the book. looks distorted. making the face seem distorted. interesting shape. photoshop. physical photoshop. folding and photographing.
spartacus chetwynd
response poem spartacus chetwynd
big pink piece of chewing gum.
snail without my shell
head out, head in
comfortable
read pink and red
dresses. dressed. dressing a plate
hula hoops
body claps
bare feet
red point out
grey feathers
pole
the venue of showing your work and where to display it is important. white room. black room. lighting. display
spartacus chetwynd
SHARK MASK
what is the shark mask /why did i want to use it in my piece:
shark mask had to be in my piece. last thing i look at before i go to sleep. in the light looks friendly but when the light go of looks really scary. good mouth. great shape.
the shark mask being the last thing i see will alter my thoughts and shape my thoughts and dreams. asleep ad just before sleep. interesting to see if you think of different things is you sore something different. if your thoughts really are shaped by the things we see i the day.
Marina Abramovic
1966
Marina Abramovic
Marina Abramovic ,1946
Instructions: there are 72 objects on the table that one can use on me as desired.
Performance. I am the object. During this period I take full responsibility. 1974. duration: 6hours ( 8pm-2am ). Studio Morra, Naples. This performance is the last in the cycle of rhythms ( Rhythm 10, Rhythm 5, Rhythm 2, Rhythm 4, Rhythm 0 ). Conclude my research on the body when conscious and unconscious .
TURNER PRIZE
Williem de Kooning
Williem de Kooning. Two women with still life, 1952.
Pastel, charcoal on paper.
Julie Mehretu
Julie Mehretu
Dennis Oppenheim
Dennis Oppenheim . 'Two stage transfer drawings'. 1971
Methodology . process is interesting
Joan Jonas
Joan Jonas. 1968
Joan Jonas
Joan Jonas. 2013. Reanimation
Peter Fischi and David Weiss
Peter Fischli and David Weiss .'How to work better'. 2016
Costume work
Joan Jonas
Joan Jonas. 2014-2015
I want to try to paint like this to challenge how to paint. performance art
Santiago Sierra
Santiago Sierra, 1966. 160cam line tattooed on 4 people.
Song
Rose Wylie
Joan Jonas
Left side Right side: 1974
reflection on the piece. how it works
simplisity. an easy idea.done in a serious manner can make it much more effective. distortion and manipulation.created by the mirror, interesting speech. simple tells the story. nothing more to say. says everything. black and white. makes you notice every detail.
controlled movement. slow and stedy. timing is slow but perfect. because if fast, to fast. needs to move slow to see every movement.
we know she is human because of small details. how she's move . not a robot. although her slow moving makes us debate weather she is human or not.
the mirror covering the whole face. if the video was slightly more zoomed in. we wouldn't know there is even a mirror there just distortion. or photoshop. or editing. i like there is a real mirror. feels like you can touch it. physical manipulation. deform.
spartacus chetwynd
understanding artwork
making art pieces as a team. puppets. costume and posters. artwork all around. moving a piece as an ensemble. using a piece of work as another performer. making another performer. lizards. sitting in the sun. cold blooded.
green boys . nothing . what are they. chorus work. all woking as one body.
feather head . head moving separately to body. movement of actual body. movement of other bodies. moving the boys with other boys. creating a person. study how a person would move. how a man would move when there thinking. all about the human form.
foot
kneeling body. seated body. study and really understand. how to understand the body .by understanding the body. tiny movements make the biggest difference on how to make it realistic. small arm movements. small head movements.
SIMON STARLING
shed boat shed
love the idea of transportation. the piece is the way we move around. art carry us. art carry our thought. the art becomes our transport. the art becoming our way of moving around.
who the pice changes.
the piece would be damaged by the water. the piece would not be exactly the same as it was up the river. and it would have changed slightly.
CORITA KENT
trying to understand work (a poem):
dark is the over layer
orange and then black
looks a bit
looks a bit like a ten pin bowling ball
short lines
orange creates its own shapes
criss cross effect
most of one half is dark
HIPPIE DRAWINGS
trying to understand work (a poem):
eye holes
missed lines
2 circles
arm hang low down
circle face
circle head
squirm head
Marina Abramovic
1966
Marina Abramovic
LIST OF OBJECTS ON THE TABLE.
GUN / BULLET / BLUE PAINT / COMB / BELL / WHIP / LIPSTICK / POCKET KNIFE / FORK / PERFUME / SPOON / COTTON / FLOWERS / FLOUR / MATCHES / ROSE / CANDLE / MIRROR / DRINKING GLASS / POLAROID CAMERA / FEATHER / CHAINS / NAILS / NEEDLE / SAFTEY PIN / HAIRPIN / BRUSH / BANDAGE / RED PAINT / WHITE PAINT / SCISSORS / PEN / BOOK / SHEET OF WHITE PAPER / KITCHEN KNIFE / HAMMER / SAW / PIECE OF WOOD / AXE / STICK / BONE OF LAMB / NEWSPAPER / BREAD / WINE / HONEY / SALT / SUGAR / SOAP / CAKE / METAL SPEAR / BOX OF RAZOR BLADES / DISH / FLUTE / BAND AID / ALCOHOL / MEDAL / COAT / SHOES / CHAIR / LEATHER STRINGS / YARN / WIRE / SULPHUR / GRAPES / OLIVE OIL / WATER / HAT / METAL / PIPE / ROSEMARY BRANCH / SCARF / HANDKERCHIEF / SCALPEL / APPLE
Marina Abramovic
1966
TURNER PRIZE
Karel Appel
Karel Appel, Nu blesse. 1959.
Williem de Kooning
Williem de kooning, Woman 1. 1950-52
Oil paint
MICHEAL CLARKE
trying to understand work (a poem):
line
black
on white
animal
animalistic
bare foot
arch
hands flat
Joan Mitchell
Joan Mitchell, 1964. Oil on canvas
Dennis Oppenheim
Dennis Oppenheim. 'Two stage transfer drawing'. 1971
Methodology . process is interesting.
Joan Jonas
John Scott
John Scott, Performance artist
composition of this work excites me . no shoes . Hands have high tension, creates drama
Annette Messager
Annette Messager. Installation, sculpture. 1943.
Valie Export
Valie Export. From her series of 'Body configurations'
Fast pace , energetic and instant art.
man painting
a man at the Tate painting a huge space . the action of doing the same this over and over again and learning from it .
Rose Wylie
Jean Dubuffet
not everything has to be correct or realistic for us to understand what is happening. or understand the story being told.
Maggi Hambling at the jerwood gallery :hastings
Maggi Hambling exhibition understanding.
Sebastian horsley. poet . need to show personality of person painted through the painting. you can see sebastian hoarsely energy in the paint. seeing the crucifixion of Sebastian Horsley can see what the paintings meant. disturbed and distorted life. and disturbing paintings. little portraits and big portraits. different faces of how he looks. different personalities and different sides to a person shown through different small paintings. different textures. all in oil paint but painted differently.
disturbed way of seeing the world . makes the audience see things differently. some smiles. some sad. some happy. all personality. battling personality. different thoughts battling. two mind sets . trying hard to think with one mind. split personality. mind on heroin and mind when sober. how to control both personalities. show that through a painting.
Maggi Hambling
understanding art.
movement. energy. see how marks were made. can follow the artist making the work as we read the piece. makes sense. little dashing. small movements. controlled movements. contrast between fast and slow. rhythm in the paint. hear the piece. drum beat in the piece. long and arn short arm standing close. standing far away.
spartacus chetwynd
response poem spartacus chetwynd
foreground
backround
pictures all around
creating a good backdrop
lizards: colour. texture. arms
weather people: telling the news
moris dancing
head dance: dancing head . separate mood head to body. body is separate to head. movement. different is shape. different is size.
HIPPIE DRAWINGS
trying to understand work (a poem):
scratch
straight line across
orange
white square above eyebrow blank
large mouth
black teeth
line of black circles
scratch of hair
scratch of head
one line of black
s
HIPPIE DRAWINGS
trying to understand work (a poem):
cross
cross
nose circles
hair lines different
beard
orange
red
green
white around the edges and occasional
darkness in the corner
Marina Abramovic
1966
Marina Abramovic
1966
Poveglia Island
Island . torture and distress. doctor .
TURNER PRIZE
TURNER PRIZE
Karel Appel
Karel Appel
He was influenced by Pablo Picasso, Henri Matisse and Jean Dubuffet.
Joan Mitchell
Joan Mitchell, 1972. Sunflower etchings
Julie Mehretu
Julie Mehretu, Dispersion. 2002
Bruce Nauman
Bruce Nauman. Violins violence silence. 1981/1982. Neon
Layering effect
Michael Clarke
Michael Clarke. 2017. choreography
Joan Jonas
Joan Jonas, 'other realities'. 1981. Photographed by David Crossley.
Making work with your body . Tention
Peter Fischi and David Weiss
Peter Fishli and David Weiss, 'Suddenly this overview', 1981
Gabriel Orozco
Gabriel Orozco. "The yielding stone"
PETER FISCHLI AND DAVID WEISS
trying to understand work (a poem):
separate doors long slim but long
short tail nub
circle but slop
white belly
bag
silver bag black arms